It's been a whirlwind year for the notoriously unpredictable and
polarizing Rose. The Rock and Roll Hall of Fame recently announced Guns
N' Roses' induction, 25 years after he and former core members Slash,
Izzy Stradlin, Duff McKagan and Steven Adler set the Sunset Strip, and
then the world, on fire. The announcement prompted speculation that at
the April 14 rock hall ceremony in Cleveland, the original "Appetite for
Destruction" lineup — a historically acrimonious lot with the
opinionated Rose at the center — might perform together for the first
time in two decades.
But this positive ray comes amid a stormy
2011 that has seen Rose, 49, fire two managers in the last year, the
most recent of which, Peter Katsis, was let go in early December. Since
the dissolution of that first lineup, the iconic singer has released
just one album, "Chinese Democracy," which he spent 13 years and
millions of dollars making. And his current tour is part of a settlement
agreement with former GNR manager (and Live Nation Entertainment
executive chairman) Irving Azoff that dictated the band do a number of
performances with Live Nation as the promoter, and Rose is worried that
it's not being properly marketed. He and Guns N' Roses bring this tour
to the Forum on Wednesday night.
It's the kind of negative energy that can sap a person's creativity,
says Rose, sipping on a beer, his auburn hair hanging over his shoulders
pretty much the same way it did in the old days, a horseshoe-shaped red
mustache complementing it. "Once I get the next things sorted out with
the label, then I feel I can get to that creative place that I've been
fighting to get to, and to use Guns N' Roses to do so," he says.
The problem is that while he believes that he and his GNR — some of
whom, like bassist Tommy Stinson and guitarist Richard Fortus, have been
with him for more than a decade — is hitting on all cylinders now,
potential business partners are looking at other factors. "Every manager
comes in and wants me to make things smaller," says Rose. Guns N'
Roses, for example, requires twice as many tour trucks as the budget
calls for, he says. Why no one else can understand the band's needs is
an obvious frustration for Rose.
More important, he adds, most
managers want the same thing that nearly every rock 'n' roll fan of the
past quarter-century wants, and the one thing he stubbornly refuses to
do: reunite with Slash, Izzy, Duff and the rest of the classic GNR group
for a tour. The constant question is an albatross and leaves Rose not
only tired but wary of anyone in the business looking to work with him.
"All these managers, they all believe in one thing: sell a reunion tour
and get their commission. It's just a phone call. It's a half a day's …
work, or however long they want to keep the bidding war going. They get
their commission and they don't care if it falls on its face."
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